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1. 2011-04-30-Billboard-Page-0067.pdf [The 2010's] [2011]
... NOW GRETCHEN PARLATO CHICAGO SYMPHONY ORCHESTRA (MUTZ I 9 TURN IT UP 40 3 6 3 2 THE LOST AND FOUND OBLIOSOUND 113 VERDI: MESSA DA REQUIEM CSO RESOUND 90110áT ULTRA NATE DEEP SUGAR /STRICTLY RHYTHM DAVID GARCIA A HIGH SPIES FEAT. SARAH TANCER SOLMATIC 10 E.T. KATY PERRY CAPITOL 39 3 PERFECT STRANGER MAGNETIC MAN FEAT. KATY HOLD IT AGAINST ME B COLUMBIA O 10 2 ANNA WILSON COUNTRYPOLITAN DUETS TRANSFER 5716/MUSIC WORLD CHARLIE HADEN QUARTET WEST A. PAPPANO,IORCHESTRA E CORO DELL' ACCADEMIA_ ROSSINI: STABAT MATER EMI CLASSICS 40529 MARC-ANDRE HANEUNAUNDFUNKSINFONIEGACHESTEA BEGUN 9 BORN THIS WAY 33 21 12 8 8 4 SOPHISTICATED LADIES EMARCY 015347/ DECCA THE ROMANTIC PIANO CONCERTO - 53 HYPERION 67635 BRITNEY SPEARS JIVE /JLG 0 LADY GAGA STREAMLINE /KONLIVE/INTERSCOPE MIRRORS MARCIN WASILEWSKI TRIO VITTORIO GRIGOLO ON THE FLOOR ...
2. 2014-11-03-29-Billboard-Page-0046.pdf [The 2010's] [2014]
... tactic when he betrays some discom- made sense: Sherrill had displayed his hit - fort on the maudlin ballad "After making mojo time and again with George All" and the double-entendre fest Jones, Tammy Wynette and many others. "If I Told You Who It Was." But for Still, the records he was famous for were slick the most part, the force of his "countrypolitan" stuff with masses of backing personality overcomes any mawkishness in it closes the album in stirring fashion. singers and string sections, the antithesis of the arrangements. It seems far more Cash's Not surprisingly, the darker songs provide Cash's more traditional, hardscrabble sound. album than Sherrill's, despite the fact that only many of the high points. The title track gets In the end, Sherrill and ...
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