ART VAN HARVEY (VIC), BERNADINE FLYNN, (SADE) & BILLY IDLESON, (RUSH)..
MEET THE GOOKS
“It was an island of delight in a sea of tears.”
Veteran NBC announcer Bob Brown was referring to Vic & Sade, the quarter-hour of whimsy surrounded by soap operas that he introduced thousands of times between 1932 and 1939, “…Now get ready to smile again with radio’s home folks, Vic & Sade written by Paul Rhymer. … Once again we present your friends Vic & Sade at whose small house half-way up in the next block you‘re invited to spend a little while at this time.”
The writer received credit at the top of the show? Yes, he earned it. Beginning with the show’s audition in 1932, Paul Rhymer, was single-handedly responsible for an estimated 3,500 Vic & Sade scripts over the next 14 years. Born in Fulton, Illinois, in 1905 and raised in Bloomington, Rhymer said he drew upon his Midwest small town background to create the world of Vic and Sade Gook.
It was a world where the accepted met the absurd and they lived happily ever after, populated by folks with names like O.X. Bellyman, Doctor Bonebreaker, I. Edison Box, Cora Bucksaddle, Godfrey Dimlock, H.K. Feebler, Harry Fie, Y.Y. Flirch, V.V. Jibe, Reverend Kidneyslide, Gus Pliink, Yorick Quix, J.J.J.J. Stunbolt, Stacy Yop and the unforgettable Hamilton W. Hunkermanlystoverdelmagintoshfer, whose name was seldom mentioned.
The long multi-network run of Vic & Sade began inconspicuously - at 8:30 a.m. Central Time on Wednesday, June 29, 1932, in NBC’s Studio B on the 19th floor of Chicago’s Merchandise Mart. Most of the country was riveted on the Democratic National Convention, also in Chicago that week. Nevertheless, Vic & Sade - Comedy Duo, (as The New York Times listed it), leaked out from WMAQ to the Blue Network at that early hour and found some of its first fans.
Its original fan was NBC’s Central Region Program Manager, Clarence Menser. He had assigned Rhymer the job of creating the daily conversation between a small-town married couple and had chosen Art Van Harvey, 48, and Bernadine Flynn, 28, to record its audition for Procter & Gamble. Despite their 20 year age difference, the couple proved to be the ideal choice - besides, it was radio, so who knew that in reality Vic was old enough to be Sade‘s father? (1)
Although P&G didn’t buy Vic & Sade as he had hoped, Menser scheduled the low cost show on a sustaining basis to see if it would attract a following. He explained his reasoning in later years, “Radio serial comedy in the early 1930's consisted mainly of a man and his wife trading insults for 15 minutes. We thought we could get humor out of a program on which a man and his wife might love each other.”
He was right. After 16 months of critical and listener praise, Procter & Gamble had second thoughts. Beginning on Monday, November 5, 1934, the Cincinnati conglomerate sponsored Vic & Sade for the show’s next decade of weekday broadcasts, most all of them on NBC and often with second, same day repeat performances on Blue, CBS or Mutual. (2) The program concluded its daytime run on September 29, 1944, with approximately 5,000 original and repeat broadcasts to its credit. (3)
Mentioned only once during the entire run of the show was the name of the town in which the Gooks and their neighbors lived, Crooper, Illinois, again patterned after Rhymer’s boyhood memories with a few quirky twists. The small house halfway up in the next block where the family resided was located on Virginia Avenue within walking distance of the Consolidated Kitchenware Company, Plant Number 14, where Vic was employed as Chief Accountant.
The hardworking Mr. Gook was well-liked by his superiors, the tough J.K. Ruebush, company executive Guss Fuss and Vic’s secretary, Miss Olive Hammersweet, whom Sade always suspected had eyes for her husband. Vic’s spare time was taken by his lodge, The Sacred Stars of The Milky Way, where he was honored with the titles, Sky Brother and Grand Exhalted Big Dipper of The Drowsy Venus Chapter. Aside from spending time with his lodge brothers, including the often quoted Rishigan Fishigan from Sishigan, Michigan, (who married Jane Bayne from Paine, Maine), Vic enjoyed throwing horseshoes in Ike Kneesuffer’s basement and joining Sade for a game of 500 with their neighbors, Fred and Ruthie Stembottom. He begrudgingly squired his wife to the local Bijou Theater for the latest in the string of adventure romances starring Hollywood super-stars Gloria Golden and Four-fisted Frank Fuddleman with titles like: Yours Is A Magnificent Love, Petty Officer Griswold.
Mr. & Mrs. Gook could be found most evenings after supper in their living room, Vic in his easy chair with the evening paper and Sade on the couch, darning socks. Sade never ran out of socks to darn, nor furniture to dust, nor treats to create in her kitchen from chef Paul Rhymer‘s imagination, beef punkle pie or stingberry jam, for example. As Vic had his lodge brothers, Sade had her Thimble Club sewing circle that gathered weekly to stitch and gossip. And for a hobby, Sade had a constantly growing washrag collection that was the envy of her friends. Often before their early afternoon meetings the ladies would gather The Little Tiny Petite Pheasant Tea Shoppe for luncheon. It was a quiet, pleasant life that Rhymer had fashioned for the couple, but it was quickly discovered that something - or someone - was missing.
It only took a week on the air for Menser and Rhymer to decide that a third voice - a youngster’s voice - was needed to expand the field of Vic & Sade’s daily storylines and add some variety to its sound. Billy Idleson was a few weeks shy of his 13th birthday when he was literally handed the role of Sade’s 10 year-old nephew from a destitute family, Rush, on the program of July 15, 1932. (4)
The young Idleson immediately fit into the cast as the Gook’s adopted son and bonded with “Guv” as Vic did with the boy whom he tabbed “Boxtop,” “Stovepipe,” “Monkeywrench,” or countless other nicknames that Rhymer could come up with. Rush opened the opportunity for the writer to create a whole new list of friends for the boy - Smelly Clark, Rooster & Rotten Davis, Vernon Peggles, Fat Vogel, Orville Wheeney, etc.
Rush genuinely loved and respected his adopted parents and was a good student who was often found with schoolbooks at the dining room table or he would sprawl on the living room couch with the latest adventure novel of his hero, Third Lieutenant Clinton Stanley, who was forever rescuing damsels in distress with pink parasols from vicious smugglers in exotic foreign lands with strange sounding names. (5)
Unfortunately, no complete Vic & Sade episodes of broadcast quality are available before 1939, but our first sample from July, 5, 1939, is worthy for several reasons. First, it portrays the typically placid Mr. & Mrs. Gook - and son, Rush Gook - in the midst of an rare argument, in this case, of what to do with two tons of coal in the backyard. Secondly, the show’s announcer delivering a two-and-a-half-minute pitch for a set of table linens in return for a Crisco label and 50 cents is Ralph Edwards, before he struck gold with Truth Or Consequences. (6)
NOTE: Network switching causes a 30-second pause between the broadcast’s program and commercial content on some of these posted episodes.
Sade’s activities in her Thimble Club are the focus of the September 22, 1939 episode when she volunteers the names and information about six wildflowers for club members to use at roll call. Knowing Vic was raised on a farm, she calls upon his “expertise” to assist her.
The episode Bacon Sandwiches from August 14, 1940, could be entitled Sade & Son due to the absence of Art Van Harvey, whose hospitalization with heart problems forced author Rhymer to bring another adult male into the cast.
Harvey returned by October 14, 1940, to verbally spar with Sade over his proposal to have an early version of a Photoshopped picture taken with R.J. Konk, founder of The.Sacred Stars of The Milky Way. His lodge is again the topic of the January 23, 1941, episode when Vic, as Exhaulted Big Dipper of the Drowsy Venus Chapter, is named to the group’s National All-Star Marching Team. There’s a problem, however, that’s explained and solved in the typically quirky Rhymer fashion in the episode.
Behind the scenes during this period, auditions were underway to find another adult male to the cast, “just in case” Art Van Harvey was sidelined again. Rhymer observed that of all the off-stage characters described and discussed by Vic, Sade and Rush over the years, one of them drew the most comment from listeners - Sade’s eccentric Uncle Fletcher. Bernadine Flynn and Bill Idleson attended the auditions of Chicago radio actors for the job. One of the readers had the two laughing as soon as he opened his mouth as septuagenarian Uncle Fletcher - 29 year old Clarence Hartzell. (7)
Hartzell’s Uncle Fletcher makes his first appearance in this collection of Vic & Sade episodes in the show of February 24,1941, when the three sleepy Gooks try to retire during a late night visit by the old boy with his collection of Christmas cards. (8) Fletcher returns on May 13, 1941 - an episode without Vic or Sade - in which the kindly old man, (actually aged 31 at the time), and young Rush, (aged 20), have a friendly conversation on the back porch swing. Another hilarious visit from Fletcher on September 17, 1941, coincides with Sade’s decision to either dust the house or attend the big Washrag Sale at Yamilton’s Department Store.
The entirety of Vic & Sade’s 14 years are capsulated in a splendid, two-hour tribute broadcast from the 1970’s produced by Jack Foster and narrated by Bob Arbogast for American University’s WAMU-FM/Washington, D.C., posted here in two segments as Vic & Sade Profile A and Vic & Sade Profile B. (9)
When the Gook family finally left the small house half-way up the next block in 1946 and went their separate ways, Art Van Harvey welcomed semi-retirement, taking occasional small acting jobs, as in the 1950 film, The Golden Gloves Story and NBC-TV’s Chicago-based soap opera Hawkins Falls in 1954.
Bernadine Flynn established herself as a Chicago-based CBS newscaster during World War II, with a daily quarter-hour of news of interest to women. Married to a teaching physician on the staff of Northwestern University and the mother of two, Flynn semi-retired until the mid-1950’s when she starred in the NBC-TV series, Hawkins Falls.
Clarence Hartzell continued with character roles in Chicago radio and television for many years while becoming a noted antique dealer and supplier of theatrical props.
Bill Idleson left for Hollywood and became a popular writer and producer specializing in situation comedies, Get Smart, The Bob Newhart Show and Love American Style.
They later died.
(1) Art Van Harvey and Bernadine Flynn weren’t strangers prior to Vic & Sade. They had appeared as another married couple, Jeffery & Mathilda Barker on poet Edgar A. Guest’s Welcome Valley. The Blue Network series from Chicago was also an early exposure for future network stars Cliff Arquette, Hal Peary, Isabel Randolph, Betty Winckler, Raymond Edward Johnson and Joan Blaine.
(2) Procter & Gamble sponsored three broadcasts of Vic & Sade on Tuesdays from April to September, 1937 - 11:30 a.m. on Blue, repeated at 3:30 p.m. on NBC and again at 10:45 p.m. on NBC.
(3) Procter & Gamble returned Vic & Sade for an encore 13-weeks on a split CBS network in the fall of 1945 and Fitch Shampoo sponsored a reformatting of the show into a half-hour sitcom with an enlarged cast during the summer of 1946.
(4) Billy Idleson had portrayed Skeezix on WGN’s adaptation of the comic strip Gasoline Alley in 1931. He remained with Vic & Sade until entering the Navy in 1943, then rejoining the show again in 1945. During Idleson’s absence young Russell Miller took his role in the Gook household.
(5) Third Lieutenant Clinton Stanley was named for Clint Stanley, Program Director of Vic & Sade’s home station, WMAQ. Stanley was lucky because Rhymer usually gave NBC executives’ names to villians.
(6) Billy Idleson later reported that Procter & Gamble sent a three-pound can of Crisco to Rhymer and his cast members every week. “Three pounds a week! We didn’t know what to do with it all…”
(7) Young Clarence Hartzell made a career portraying “geezers” at NBC in Chicago. Before Uncle Fletcher he had played Uncle Bud on Uncle Ezra’s Radio Station and Pappy Yokum on Lil Abner.
(8) Note the announcer extolling Crisco shortening on this episode is future sports casting great, Mel Allen, at the time a $50 a week CBS staff announcer.
(9) Dozens of more Vic & Sade episodes are available at www.otrrlibrary.org
Note: Readers will forgive the final sentence of this post as a parting shot for Paul Rhymer who invariably capped Fletcher’s outrageous biographies of friends with, “They later died.” Actually, Art Van Harvey died in 1957, Bernadine Flynn passed away 20 years later, Clarence Hartzell died in 1988 and Bill Idleson survived until the 21st Century, 2007. And Paul Rhymer died later, too, in 1964. RIP, Old Friends.
Copyright © 2018, Jim Ramsburg, Estero FL Email: tojimramsburg@gmail.com
“It was an island of delight in a sea of tears.”
Veteran NBC announcer Bob Brown was referring to Vic & Sade, the quarter-hour of whimsy surrounded by soap operas that he introduced thousands of times between 1932 and 1939, “…Now get ready to smile again with radio’s home folks, Vic & Sade written by Paul Rhymer. … Once again we present your friends Vic & Sade at whose small house half-way up in the next block you‘re invited to spend a little while at this time.”
The writer received credit at the top of the show? Yes, he earned it. Beginning with the show’s audition in 1932, Paul Rhymer, was single-handedly responsible for an estimated 3,500 Vic & Sade scripts over the next 14 years. Born in Fulton, Illinois, in 1905 and raised in Bloomington, Rhymer said he drew upon his Midwest small town background to create the world of Vic and Sade Gook.
It was a world where the accepted met the absurd and they lived happily ever after, populated by folks with names like O.X. Bellyman, Doctor Bonebreaker, I. Edison Box, Cora Bucksaddle, Godfrey Dimlock, H.K. Feebler, Harry Fie, Y.Y. Flirch, V.V. Jibe, Reverend Kidneyslide, Gus Pliink, Yorick Quix, J.J.J.J. Stunbolt, Stacy Yop and the unforgettable Hamilton W. Hunkermanlystoverdelmagintoshfer, whose name was seldom mentioned.
The long multi-network run of Vic & Sade began inconspicuously - at 8:30 a.m. Central Time on Wednesday, June 29, 1932, in NBC’s Studio B on the 19th floor of Chicago’s Merchandise Mart. Most of the country was riveted on the Democratic National Convention, also in Chicago that week. Nevertheless, Vic & Sade - Comedy Duo, (as The New York Times listed it), leaked out from WMAQ to the Blue Network at that early hour and found some of its first fans.
Its original fan was NBC’s Central Region Program Manager, Clarence Menser. He had assigned Rhymer the job of creating the daily conversation between a small-town married couple and had chosen Art Van Harvey, 48, and Bernadine Flynn, 28, to record its audition for Procter & Gamble. Despite their 20 year age difference, the couple proved to be the ideal choice - besides, it was radio, so who knew that in reality Vic was old enough to be Sade‘s father? (1)
Although P&G didn’t buy Vic & Sade as he had hoped, Menser scheduled the low cost show on a sustaining basis to see if it would attract a following. He explained his reasoning in later years, “Radio serial comedy in the early 1930's consisted mainly of a man and his wife trading insults for 15 minutes. We thought we could get humor out of a program on which a man and his wife might love each other.”
He was right. After 16 months of critical and listener praise, Procter & Gamble had second thoughts. Beginning on Monday, November 5, 1934, the Cincinnati conglomerate sponsored Vic & Sade for the show’s next decade of weekday broadcasts, most all of them on NBC and often with second, same day repeat performances on Blue, CBS or Mutual. (2) The program concluded its daytime run on September 29, 1944, with approximately 5,000 original and repeat broadcasts to its credit. (3)
Mentioned only once during the entire run of the show was the name of the town in which the Gooks and their neighbors lived, Crooper, Illinois, again patterned after Rhymer’s boyhood memories with a few quirky twists. The small house halfway up in the next block where the family resided was located on Virginia Avenue within walking distance of the Consolidated Kitchenware Company, Plant Number 14, where Vic was employed as Chief Accountant.
The hardworking Mr. Gook was well-liked by his superiors, the tough J.K. Ruebush, company executive Guss Fuss and Vic’s secretary, Miss Olive Hammersweet, whom Sade always suspected had eyes for her husband. Vic’s spare time was taken by his lodge, The Sacred Stars of The Milky Way, where he was honored with the titles, Sky Brother and Grand Exhalted Big Dipper of The Drowsy Venus Chapter. Aside from spending time with his lodge brothers, including the often quoted Rishigan Fishigan from Sishigan, Michigan, (who married Jane Bayne from Paine, Maine), Vic enjoyed throwing horseshoes in Ike Kneesuffer’s basement and joining Sade for a game of 500 with their neighbors, Fred and Ruthie Stembottom. He begrudgingly squired his wife to the local Bijou Theater for the latest in the string of adventure romances starring Hollywood super-stars Gloria Golden and Four-fisted Frank Fuddleman with titles like: Yours Is A Magnificent Love, Petty Officer Griswold.
Mr. & Mrs. Gook could be found most evenings after supper in their living room, Vic in his easy chair with the evening paper and Sade on the couch, darning socks. Sade never ran out of socks to darn, nor furniture to dust, nor treats to create in her kitchen from chef Paul Rhymer‘s imagination, beef punkle pie or stingberry jam, for example. As Vic had his lodge brothers, Sade had her Thimble Club sewing circle that gathered weekly to stitch and gossip. And for a hobby, Sade had a constantly growing washrag collection that was the envy of her friends. Often before their early afternoon meetings the ladies would gather The Little Tiny Petite Pheasant Tea Shoppe for luncheon. It was a quiet, pleasant life that Rhymer had fashioned for the couple, but it was quickly discovered that something - or someone - was missing.
It only took a week on the air for Menser and Rhymer to decide that a third voice - a youngster’s voice - was needed to expand the field of Vic & Sade’s daily storylines and add some variety to its sound. Billy Idleson was a few weeks shy of his 13th birthday when he was literally handed the role of Sade’s 10 year-old nephew from a destitute family, Rush, on the program of July 15, 1932. (4)
The young Idleson immediately fit into the cast as the Gook’s adopted son and bonded with “Guv” as Vic did with the boy whom he tabbed “Boxtop,” “Stovepipe,” “Monkeywrench,” or countless other nicknames that Rhymer could come up with. Rush opened the opportunity for the writer to create a whole new list of friends for the boy - Smelly Clark, Rooster & Rotten Davis, Vernon Peggles, Fat Vogel, Orville Wheeney, etc.
Rush genuinely loved and respected his adopted parents and was a good student who was often found with schoolbooks at the dining room table or he would sprawl on the living room couch with the latest adventure novel of his hero, Third Lieutenant Clinton Stanley, who was forever rescuing damsels in distress with pink parasols from vicious smugglers in exotic foreign lands with strange sounding names. (5)
Unfortunately, no complete Vic & Sade episodes of broadcast quality are available before 1939, but our first sample from July, 5, 1939, is worthy for several reasons. First, it portrays the typically placid Mr. & Mrs. Gook - and son, Rush Gook - in the midst of an rare argument, in this case, of what to do with two tons of coal in the backyard. Secondly, the show’s announcer delivering a two-and-a-half-minute pitch for a set of table linens in return for a Crisco label and 50 cents is Ralph Edwards, before he struck gold with Truth Or Consequences. (6)
NOTE: Network switching causes a 30-second pause between the broadcast’s program and commercial content on some of these posted episodes.
Sade’s activities in her Thimble Club are the focus of the September 22, 1939 episode when she volunteers the names and information about six wildflowers for club members to use at roll call. Knowing Vic was raised on a farm, she calls upon his “expertise” to assist her.
The episode Bacon Sandwiches from August 14, 1940, could be entitled Sade & Son due to the absence of Art Van Harvey, whose hospitalization with heart problems forced author Rhymer to bring another adult male into the cast.
Harvey returned by October 14, 1940, to verbally spar with Sade over his proposal to have an early version of a Photoshopped picture taken with R.J. Konk, founder of The.Sacred Stars of The Milky Way. His lodge is again the topic of the January 23, 1941, episode when Vic, as Exhaulted Big Dipper of the Drowsy Venus Chapter, is named to the group’s National All-Star Marching Team. There’s a problem, however, that’s explained and solved in the typically quirky Rhymer fashion in the episode.
Behind the scenes during this period, auditions were underway to find another adult male to the cast, “just in case” Art Van Harvey was sidelined again. Rhymer observed that of all the off-stage characters described and discussed by Vic, Sade and Rush over the years, one of them drew the most comment from listeners - Sade’s eccentric Uncle Fletcher. Bernadine Flynn and Bill Idleson attended the auditions of Chicago radio actors for the job. One of the readers had the two laughing as soon as he opened his mouth as septuagenarian Uncle Fletcher - 29 year old Clarence Hartzell. (7)
Hartzell’s Uncle Fletcher makes his first appearance in this collection of Vic & Sade episodes in the show of February 24,1941, when the three sleepy Gooks try to retire during a late night visit by the old boy with his collection of Christmas cards. (8) Fletcher returns on May 13, 1941 - an episode without Vic or Sade - in which the kindly old man, (actually aged 31 at the time), and young Rush, (aged 20), have a friendly conversation on the back porch swing. Another hilarious visit from Fletcher on September 17, 1941, coincides with Sade’s decision to either dust the house or attend the big Washrag Sale at Yamilton’s Department Store.
The entirety of Vic & Sade’s 14 years are capsulated in a splendid, two-hour tribute broadcast from the 1970’s produced by Jack Foster and narrated by Bob Arbogast for American University’s WAMU-FM/Washington, D.C., posted here in two segments as Vic & Sade Profile A and Vic & Sade Profile B. (9)
When the Gook family finally left the small house half-way up the next block in 1946 and went their separate ways, Art Van Harvey welcomed semi-retirement, taking occasional small acting jobs, as in the 1950 film, The Golden Gloves Story and NBC-TV’s Chicago-based soap opera Hawkins Falls in 1954.
Bernadine Flynn established herself as a Chicago-based CBS newscaster during World War II, with a daily quarter-hour of news of interest to women. Married to a teaching physician on the staff of Northwestern University and the mother of two, Flynn semi-retired until the mid-1950’s when she starred in the NBC-TV series, Hawkins Falls.
Clarence Hartzell continued with character roles in Chicago radio and television for many years while becoming a noted antique dealer and supplier of theatrical props.
Bill Idleson left for Hollywood and became a popular writer and producer specializing in situation comedies, Get Smart, The Bob Newhart Show and Love American Style.
They later died.
(1) Art Van Harvey and Bernadine Flynn weren’t strangers prior to Vic & Sade. They had appeared as another married couple, Jeffery & Mathilda Barker on poet Edgar A. Guest’s Welcome Valley. The Blue Network series from Chicago was also an early exposure for future network stars Cliff Arquette, Hal Peary, Isabel Randolph, Betty Winckler, Raymond Edward Johnson and Joan Blaine.
(2) Procter & Gamble sponsored three broadcasts of Vic & Sade on Tuesdays from April to September, 1937 - 11:30 a.m. on Blue, repeated at 3:30 p.m. on NBC and again at 10:45 p.m. on NBC.
(3) Procter & Gamble returned Vic & Sade for an encore 13-weeks on a split CBS network in the fall of 1945 and Fitch Shampoo sponsored a reformatting of the show into a half-hour sitcom with an enlarged cast during the summer of 1946.
(4) Billy Idleson had portrayed Skeezix on WGN’s adaptation of the comic strip Gasoline Alley in 1931. He remained with Vic & Sade until entering the Navy in 1943, then rejoining the show again in 1945. During Idleson’s absence young Russell Miller took his role in the Gook household.
(5) Third Lieutenant Clinton Stanley was named for Clint Stanley, Program Director of Vic & Sade’s home station, WMAQ. Stanley was lucky because Rhymer usually gave NBC executives’ names to villians.
(6) Billy Idleson later reported that Procter & Gamble sent a three-pound can of Crisco to Rhymer and his cast members every week. “Three pounds a week! We didn’t know what to do with it all…”
(7) Young Clarence Hartzell made a career portraying “geezers” at NBC in Chicago. Before Uncle Fletcher he had played Uncle Bud on Uncle Ezra’s Radio Station and Pappy Yokum on Lil Abner.
(8) Note the announcer extolling Crisco shortening on this episode is future sports casting great, Mel Allen, at the time a $50 a week CBS staff announcer.
(9) Dozens of more Vic & Sade episodes are available at www.otrrlibrary.org
Note: Readers will forgive the final sentence of this post as a parting shot for Paul Rhymer who invariably capped Fletcher’s outrageous biographies of friends with, “They later died.” Actually, Art Van Harvey died in 1957, Bernadine Flynn passed away 20 years later, Clarence Hartzell died in 1988 and Bill Idleson survived until the 21st Century, 2007. And Paul Rhymer died later, too, in 1964. RIP, Old Friends.
Copyright © 2018, Jim Ramsburg, Estero FL Email: tojimramsburg@gmail.com
| vic___sade___7-05-39.mp3 |
| vic___sade__9-22-39.mp3 |
| vic___sade___8-14-40.mp3 |
| vic___sade__10-14-40.mp3 |
| vic___sade___1-23-41.mp3 |
| vic___sade___5-13-41_.mp3 |
| vic___sade___2-24-41.mp3 |
| vic___sade__9-17-41.mp3 |
| vic___sade__profile_a.mp3 |
| vic___sade__profile_b.mp3 |